In place, there are insights so mind bogglingly banal as to be impressive. It sounds like a Boyz II Men song sanitized and re-written for a Pentecostal youth group. There are no concrete details, so you never find out why The Indigo Child is so bitter about this relationship he can’t get over. A single drawn out verse over a southern whistle and Raury’s repetitive strumming, it’s impossible to tell if it’s in favor of or against the emotion. “Love Is Not A Four Letter Word” is the worst. Out of the three love songs, “CPU” actually manages to be the most competent. Bobby Digital’s distinctive, haphazard flow highlights just how clumsy the album’s themes can be: “can’t be through, it’s like a feet need a shoe/The sky needs the blue, I need you.” Bong Bong Bong? He mentions “computerized love” which, contrived as it may be, makes for a natural transition into RZA’s verse.
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The second and third stumble along as his undeterred confidence shines in spite of some unnamed misdeed. “Talking on the phone after midnight,” “not wanting to walk alone,” “flames.” These are a quick sample of the collegiate handbook of cliches-in just the first verse.
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The beat, a derivative but passable 808’s and Heartbreak rip, feels like a cross between “Street Lights” and Mac Miller’s “Youforia.” It works well enough, if only as a respite from Raury’s touch-my-heart-with-your-foot guitar plucks and falsetto.īut there’s no break from his songwriting. “CPU,” one of the album’s my-first-ballads, is the best example of where All We Need loses itself. This is Arrested Development part 2.0, without anything remotely as funky or affecting as “ People Everyday” or “ Mr. The slogans of this generation are suspiciously the same as the old. That’s more or less emblematic of All We Need as a whole-it’s about positive high school pep rally messages, without really being asked to come up with new ideas, sounds, or even a turn of phrase. Let’s get the Andre 3000 comparisons out of the way: Raury isn’t ATLiens, he’s The Love Below if ‘Dre were ripping Ben Harper instead of Prince.
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“Friends,” a single that preceded the album, is an ode to hitchhiking that never strays beyond the aphoristic. His new album All We Need opens: “Don’t hate, my brother, God is our friend / I’ve walked for miles and I see no end / To the hate.” That sounds about right.
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The best part of Indigo Child was the flash game you had to play to access the download link. The Georgia Peach Tree was pitched as More Than a Rapper, the high school music program’s star who could be the antithesis to 808s and rolling hi-hats. He followed it up with Indigo Child, an album that staked itself on the intersection of folk-rock acoustics and hip-hop drums. Last year, Raury stalked into the public eye with “Cigarette Song” and “God’s Whisper,” two marginally catchy singles with suspiciously large video budgets. Thomas Johnson is fully woke twice removed off the fake deep end